This site is only for Adults The Love Teachings of By Vatasyayana
Page 2
From
The Medieval Texts:
When lovers,
with legs stretched rigid and feet caressing feet, make love according
to their hearts' desire, "tantra" scholars call it "Sampada" (Equal Feet)
and agree it is a way to ecstasy.
Stiff
as a pole in the bed's center, she lies making love, cooing and warbling
like a woodpigeon, the jewel of her clitoris well-polished: this is Mausala"
(the Pestle).
When she
lies on her back with her two thighs pressed tightly together and you make
love to her, keeping your thighs outside hers, it is "Gramya" (the Rustic).
If, encircling
and trapping her thighs with yours, you grip so hard that she cries out
in pain, it is "Ratipasha" (Love's Noose), a device most charming to the
ladies.
Her limbs,
entwined in yours like tendrils of fragrant jasmine creeper, draw taut
and slowly relax in the gentle rhythm of linga and yoni: this is "Lataveshta"
(the Clinging Creeper).
She draws
her limbs together, clasping her knees tightly to her breasts, her yoni,
like an opening bud, offered up for pleasure: this is known as "Mukula"
(the Bud).
When she
draws up her knees and you clamp yours about her raised thighs, trapping
them in a tight knot while riding saddle upon her buttocks and kissing
her, it is "Shankha" (the Couch).
Sitting
Positions:
Seated,
mouth to mouth, arms against arms, thighs against thighs: this is "Kaurma"
The Tortoise). If the lovers' thighs, still joined, are raised, it is "Paravartita"
(Turning).
If within
the cave of her thighs you sit rotating your hips like a black bee, it
is "Markata" (The Monkey). And if, in this pose, you turn away from her,
it is "Marditaka" (Crushing Spices).
She sits
with raised thighs, her feet placed either side of your waist; "linga"
(penis) enters "yoni" (vagina); you rain hard blows upon her body: this
is "Kshudgaga" (Striking).
When your
wife sits with both knees drawn tight to her body and you mirror this posture,
it is known to experts in the art of love as "Yugmapada" (The Foot Yoke).
Seated
erect, the lovely girl folds one leg to her body and stretches the other
along the bed, while you mirror her actions: this is "Yugmapada" (The Feet
Yoke).
If, with
left leg extended, she encircles your waist with her right leg, laying
its ankle across her left thigh, and you do the same, it is "Svastika"
(The Swastika)
Sitting
face to face in bed, her breasts pressed tight against your chest, let
each of you lock heels behind the other's waist, and lean back clasping
one another's wrists.
Now, set
the swing gently in motion, your beloved, in pretended fear, clinging to
your body with her flawless limbs, cooing and moaning with pleasure: this
is "Dolita" (The Swing).
If, seated
face to face, your toes caress the lovely woman's nipples, her feet press
your chest and you make love holding each other's hands it is "Kaurma"
(The Tortoise).
Seated,
the lady raises one foot to point vertically over her head and steadies
it with her hands, offering up her "yoni" for lovemaking: this is "Mayura"
(the Peacock).
If, sitting
facing her, you grasp her ankles and fasten them like a chain behind your
neck, and she grips her toes as you make love, it is the delightful "Padma"
(the Lotus).
Sitting
erect, grip your lover's waist and pull her on to you, your loins continuously
leaping together with a sound like the flapping of elephants' ears: this
is "Kirtibandha" (the Knot of Fame).
Kneeling
between her thighs, tickle her breasts and under her arms, call her 'my
lovely darling' and print deep nailmarks around her nipples: thus "Jaya"
(Victory) is expounded.
She bends
well forward and grips the bedstead, her buttocks raised high; cup your
hands to serpents' hoods and squeeze her jar-shaped (sic) breasts together:
this is "Dhenuka" (the Milch Cow).
If you
mount her like a dog, gripping her waist, and she twists round to gaze
into your face, experts in the art of love say it is "Svanaka" (the Dog).
If the
lady, eager for love, goes on all fours, humping her back like a doe, and
you enjoy her from behind, rutting as though you'd lost all human nature,
it is "Hirana" (the Deer).
When,
with lotus-feet set well-apart on the ground, she bends, placing a hand
upon each thigh, and you take her from the rear, it is "Gardabha" (the
Ass).
If she
lies on her stomach and you seize her ankles in one hand, lift them high
and make love, tilting her chin back with your other hand, (live)it is
"Marjara" (the Cat).
She lies
on her front, grasping her ankles in her own hands and pulling them up
behind her: this difficult posture is known to experts as "Mallaka" (the
Wrestler).
When your
mistress (sic) lays breasts, arms and forehead to the carpet, raising her
buttocks high, and you guide your penis into her yoni, it is "Aibha" (the
Elephant).
You lift
her ankles high; she draws up and extends her legs as though she were crawling
through the air: this is "Hastika" (the Elephant).
She stands
on palms and feet; you stand behind her and lift one of her feet to your
shoulder, enjoying the lovely girl: this is "Traivikrama" (the Stride).
Seize
her feet and lift them high (like a wheel barrow), drive your penis into
her yoni and pleasure her with vigorous strokes: this is "Kulisha" (the
Thunderbolt).
You kneel,
as in archery, take her on your lap and bend her forward till her breasts
are pressed to her thighs: this is "Ekabandha" (One Knot).
Lying
on her side, facing away, the fawn-eyed girl offers you her buttocks and
your penis penetrates the house of love: this is "Nagabandha" (the Elephant).
Important
Tips....and
more...
