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The Gallery Page 6
![]() PHOTOGRAPH BY : RAJESH CHOPRA |
The lower walls of the tomb are white marble dados that have been sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise the exquisite detailing of these carvings. |
The
dado frames and archway spandrels
have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are yellow marble, jasper and jade, levelled and polished to the surface of the walls. |
![]() PHOTOGRAPH BY : RAJESH CHOPRA |
![]() PHOTOGRAPH BY : RAJESH CHOPRA |
The
interior chamber of the Taj Mahal steps
far beyond traditional decorative elements. One may say without exaggeration that this chamber is a work of jewellery |
Here
the inlay work is not pietra dura, but lapidary.
The inlay material is not marble or jade but precious and semiprecious gemstones. Every decorative element of the tomb's exterior has been redefined with jeweler's art. |
![]() PHOTOGRAPH BY : RAJESH CHOPRA |
![]() PHOTOGRAPH BY : RAJESH CHOPRA |
The
inner chamber of the Taj Mahal contains
the cenotaphs of Mumtaz and Shah Jahan. It is a masterpiece of artistic craftsmanship, virtually without precedent or equal. The inner chamber is an octagon. While the design allows for entry from each face, only the south (garden facing) door is used The interior walls are about 25 m high, topped by a "false" interior dome decorated with a sun motif. |
Eight
pishtaq arches define the space at ground level.
As is typical with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas; each balcony's exterior window has an intricate screen or jali cut from marble. In
addition to the light from the balcony screens,
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![]() PHOTOGRAPH BY : RAJESH CHOPRA |
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